|
The pulpit! (Though I was given a smaller lectern because of microphones) |
Tonight I preached the sermon at the Patronal Festival of one of my local churches, St Margaret of Antioch - which includes the Anglican Chaplaincy to the Universities of Liverpool.
I gave a feminist, rape culture, privilege and entitlement reading of the hagiography of St Margaret:
Jesus said ‘if you belonged to the
world, the world would love you as its own. Because you do not belong to the
world, but I have chosen you out of the world—therefore the world hates you.’ (A quote from the gospel reading).
It’s
a statement that has, over the centuries, attracted a certain amount of
unhealthy obsession with trying to live in a way that’s uncontaminated by ‘the
world’, as if that were possible.
But it makes perfect and immediate sense if
you translate world as worldview. Jesus was killed for his challenge to an
imperialistic, hierarchical worldview - and the story of St Margaret, shows her too being tortured and
killed for articulating a very different worldview that a man who was a member
of the ruling elite found too challenging.
There are a lot of people – or perhaps
a few people and a lot of bots, on social media – who go out of their way to
find and persecute those who challenge their worldview.
Racists, who jumped all
over the Black Lives Matter hashtag the other year, insisting that All Lives
Matter and thus seeking to rewrite those protesting the disregard for black
lives as selfish and limited in their concern.
White Supremacists – and/or
possibly Russian bots, who knows – who go out of their way to find anyone
commenting critically on Donald Trump, and shower them with hate speech. Male
Supremacists who go out of their way to find anyone tweeting feminist
sentiments, or indeed any woman daring to speak out in public who seems to be
getting attention, and attempt to shut them down by challenging their right to
speak, questioning their credentials, and in the last resort telling them that
they should be raped and murdered.
The technology might be new, but
abuse, rape culture, male privilege, and the violent sense of entitlement of
those with privilege is sadly nothing new at all. Both our readings today, for this feast of a
martyr, show the Bible at its most realistic about the cost of speaking out
into a violent and oppressive culture. It’s the right thing to do, but it is
certainly costly.
The story of Margaret of Antioch
speaks directly into the patriarchal culture of privileged entitlement and
violence.
Margaret may or may not have even
existed, but her story was one of the most popular told of the saints in
medieval times. She was one of the three saints that Joan of Arc believed had
spoken to her, and was considered the most powerful saint for women in
childbirth to pray to.
Stories that circulate and take on a
life of their own are always fascinating to a historian, and if Margaret didn’t
exist then I find her story even more fascinating.
I think it was Terry Pratchett who
said that some stories, if they don’t exist, just have to be written. The
medieval stories of the saints – hagiographies - are perhaps best understood as
in this category. Stories are important – they form and challenge worldviews,
they show us possibilities. What matters in hagiography, as in fairy tales, isn’t
that they tell us whether or not dragons exist – its that they tell us that
dragons can be defeated.
So what is it about Margaret’s story
that means that it was worth making up,
or worth retelling, and that made it so enduringly powerful for hundreds of
years?
It seems to me that her story’s power
is precisely that it speaks into rape culture, a culture of privileged male
entitlement, a culture in which the male gaze is privileged and women are
routinely dismissed as weak, feeble and unworthy of a public voice.
.
Margaret’s story starts by telling us
that she was sent by her noble father, a pagan priest, to a Christian wetnurse.
her mother died, perhaps in childbirth or perhaps sometime in her infancy, as
Margaret remains with the wetnurse to be brought up, and is baptized. On
hearing this her father disowns her, and she remains in the foster care of her
nurse.
We then fast forward to her when she
is 15 years old. Then, according to the legend, ‘On a certain day, when she
was fifteen years of age, and kept the sheep of her nurse with other maidens,
the provost Olybrius passed by the way whereas she was, and considered in her
so great beauty and fairness, that anon he burned in her love, and sent his
servants and bade them take her and bring her to him. For if she be free I
shall take her to my wife, and if she be bond, I shall make her my concubine.’ (From the medieval 'Golden Legend')
This is where Margaret’s story begins
to be clearly about the male gaze and privileged male entitlement. Olybrius is
the provost. He is in a privileged position as a man and a member of the ruling
elite. He sees this teenage girl, lusts after her, and assumes that he can
therefore have her. The only question in his mind is on what terms he will have
her, and this is framed simply as a question of class.
Here, Margaret’s story shines a light
on what we now call intersectionality – the ways in which different types of
privilege and oppression interact with each other. Margaret is vulnerable on
grounds of gender, age and class. She is a woman, so this privileged man
assumes he can possess her simply because he desires her. She is a relatively
young woman, a girl on the cusp of womanhood. Would he have desired her if she
had been older? Is his anger against her when she resists his advances the
greater because he assumes her youth gives her no right to agency?
And at this point in her story, the
provost is unsure of her caste, her status. This has no bearing on his
assumption of the right to possess where his gaze falls, but it does affect the
social norms regarding the terms on which he will possess her. If she’s free,
he’ll marry her, if a slave, he’ll make her his mistress. Both terms of course
are socially sanctioned euphemisms for rape, as there is no question of consent
or lack of consent in Olybrius’ mind. His privileged male gaze has fallen on
her, he desires her, therefore he has sent his servants to get her and fully
intends to rape her, either with or without the social label of marriage.
The story goes on to relate how he
asks Margaret her social status, her name and her religion. When she tells him,
he is disgusted that she is a Christian, and demands that she recant. Instead she has a spirited theological
discussion with him, which angers him so much that he has her tortured.
The story goes into great detail about
the various tortures to which she is subject, and there are two particularly
interesting details.
First, those watching say how distressed they
are that she has lost so much beauty for her unbelief in the pagan Gods. Even
at this stage, her story is being constructed by the male gaze. To the
onlookers, the main negative of her torture is that she is becoming less
attractive to the male gaze. over perhaps they intend to add another, mental
torture to the physical ones that she is undergoing. Margaret robustly rejects
this, instead linking her suffering with
salvation. That is, the story explicitly rejects the construction of female
identity and value as being based on our beauty in the eye of the male
beholder. For the Christian, Margaret tells us, our identity and value is found
in our baptismal identity, not in pleasing the male gaze.
So one message of the story is that
the male gaze is not the last word, and that it doesn’t always get what it
wants. Privileged male entitlement is trumped by our ability to determine for
ourselves to follow Christ – and even by the ability of young girls to do this.
That must have been quite a powerful message for young girls to hear.
The second detail that I find
particularly interesting in Margaret’s story comes when the provost turns his face away because he can’t stand the
sight of so much blood, whilst Margaret is theologizing her sufferings. She is
shown as much stronger than him, not simply spiritually but physically as well.
Later in the story she suffers another round of torture, with a multi-staged
execution scene, constructed explicitly to be as painful as possible, and we
are told that people marvelled that so tender a maiden could endure so many
torments. That is, they marvelled that she was so strong that she wasn’t dead
yet, or hadn’t fainted away.
Margaret is presented as almost
supernaturally strong, and yet throughout the story, despite other supernatural
moments when she defeats the devil in the form of both a man and a dragon,
there is no magical element described in her resilience to torture. She is simply
presented as a very tough girl, able to cope with argue her faith in the face
of such violence and such physical pain that the provost can’t look.
I suspect that this element of her
story is why she was presented as someone to pray to in the pangs of childbirth.
This is literally a story of how women can cope with pain that men shudder at
the sight of and often can’t bear to watch. Margaret’s story, in a way that seems culturally rather alien
to us, is a story of female resilience to pain and inherent strength, and would
have been very valuable as a reassurance to young girls enduring labour for the
first time. Modern midwifery wisdom has
rediscovered the truth that simply knowing that one can survive the pain of
childbirth actually reduces the pain that is experienced.
But its also a story about how male
domination, patriarchy and rape culture
is essentially violent. People like the classicist Professor Mary Beard in our
own culture receive death threats and are on the receiving end of violent rape
threats, for being a woman who speaks her knowledge, her wisdom and her
espertise in the public square without conforming to the norms of the male
gaze. Margaret’s story is similar. She does not conform to the expected norms
of her gender and age. She is meant to be an attractive, weak, possession, and
yet she argues back. When the provost jeers at her for having a God who was
crucified, she interrogates the sources of his knowledge and then instructs him
from her superior knowledge. Women weren’t meant to do that, and especially not
young, attractive women. She is tortured not simply for being a Christian, not
even for rejecting the provost ( the story never actually explicitly says that
she does) – she is tortured, very clearly, for being a woman who has a mind of
her own and dares to speak it.
And when we look at Margaret’s story,
it is shockingly clear that the violence unleashed against her is not about
desire per se but about sadism, the violent wish for domination at all costs.
One minute the provost is claiming to love her, having seen her, the next he
unleashes the most shockingly sadistic series of tortures, torture upon
torture, all the while claiming, as abusers always do, that the violence is her
own fault due to her obstinacy.
This is a story about how abusive men
lash out in violence, about how the male language of love and desire can be
used to mask a sadistic desire to hurt and possess and destroy. I
We still need stories of women’s
strength, wisdom, faith and resilience.
We need stories that remind us
that the treatment of people as
possessions to be trafficked by force and seized at will by those with economic
or military power is unacceptable.
We need stories that challenge the
idea that rape is about sex, and lay bare the fact that it is about violence,
domination and oppression.
We need stories that reassure us that
though we may not be privileged, though we may feel, look and indeed be on the
wrong end of various isms – such as sexism, racism, or ageism – our identity
and value is not constituted by those abusive worldviews, but by our baptismal
identity in Christ.
So tell these stories to each other
often.
If the stories you need don’t exist,
invent them.
Tell the stories that dream into being
the world you want to be part of.
Amen.